Posts

Johnny Quick in "The Adventure of the One Man Movie!"

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Mort Meskin pencils, Cliff Young inks. From More Fun Comics 84, October 1942 © DC Comics  

Vigilante: CRIME'S CARAVAN, from Action Comics 48, May 1942

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Haven't posted a Vig story in what, 5 years? I reckon it's time. Here's another by Morts Weisinger and Meskin, at last! I'll try to do this more regularly in the future. And hey DC, I've got 50+ Meskin Vigilantes, I'd be delighted to share scans if you ever want to reprint this stuff. (Lol "stuff", what I did there) ©DC Entertainment  

The Legendary Lynx!

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Spinning out of Secret Identity , it's the Lynx in her own comic! Coming soon from Zestworld, by Segura and me, with Grey Allison on colors!  

Darwyn Cooke, Colored

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Or as Strange Adventures' Calum Johnston (who supplied a bunch of these as pics/files) would say, "coloured". One day I'll have exhausted the remaining supply of these, and I'll be sad. In the meantime, it's pure joy to do. There's loads of these, be sure to click through!  

Secret Identity

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It's Alex Segura's next novel, and it contains 17 actual comics pages drawn by me, with letters by Taylor Esposito. It's out March 15, 2022 from Flatiron Books. Here's a preview, and my original LYNX character design.  

Hey, it's been a while

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366 days! Not sure if there's any eyes on this space, but here's what I did for the rest of 2020.   The first of 14 pages for an upcoming issue of Neil Gaiman's Norse Mythology (v2 issue 6). Adaptation and layout by P. Craig Russell, letters by Galen Showman, art and color by me. Absolute dream gig, I'll talk more about it once it's out. Maybe November? A couple of Drawn From the Dreaming illustrations done for Audible/DC to promote the Sandman audiobooks. A super-spoilery page from the story (The Tell-Tale Heart) that James Finn Garner and I did for AHOY Comics' Edgar Allan Poe's Snifter of Blood And while I was doing Archie in 2019, I was going back and forth, working on this too. Finished early 2020, released in November. I drew just over half of this, my "fantasy" scenes alternating with Agnes Garbowska's "real world" ones.